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The Social History of Smoking

George Latimer Apperson

Chapter 10:

This experiment in the direction of wooden pipes was interesting, and deserves to be remembered; but it was not long before the briar was introduced and carried everything before it.

It was about 1859 that the use of the root of the White Heath (Erica arborea), a native of the South of France, Corsica, and some other localities, for the purpose of making tobacco-pipes was introduced into this country. The word "brier" or "briar" has no connexion whatever with the prickly, thorny briar which bears the lovely wild rose. It is derived from the French bruyère, heath—the root of the White Heath being the material known as "briar" or "brier," and at first as "bruyer." The Oxford Dictionary quotes an advertisement from the Tobacco Trade Review of so recent a date as February 8, 1868, of a "Heath Pipe: in Bruyer Wood." The briar pipe not only soon drove the clay largely out of use, but immensely increased the number of pipe-smokers. Bulwer Lytton may not have known the briar, but he wrote enthusiastically of the pipe. Every smoker knows the glowing tribute he paid to it in his "Night and Morning," which appeared in 1841. It is terser and more to the point than most panegyrics: "A pipe! It is a great soother, a pleasant comforter. Blue devils fly before its honest breath. It ripens the brain, it opens the heart; and the man who smokes thinks like a sage and acts like a Samaritan."

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The Social History of Smoking

George Latimer Apperson

Chapter 15:

The highlander, as he existed within living memory at many shop doors, and as he still exists at a few, was and is the survivor of many similar wooden figures as trade signs. The wooden figure of a negro or "Indian" with gilt loin-cloth and feathered head, has already been mentioned as an old tobacconist's sign. In early Georgian days a tobacconist named John Bowden, who dealt in all kinds of snuff, and also in "Aloe, Pigtail, and Wild Tobacco; with all sorts of perfumer's goods, wholesale and retail," traded at the sign of "The Highlander and Black Boy" in Threadneedle Street, London. At York, in this present year, 1914, I came upon a brightly painted wooden figure of Napoleon in full uniform and snuff-box in hand, standing at the door of a small tobacco-shop. Another class of sign or emblem was represented by the "wooden midshipman," which many of us have seen in Leadenhall Street, and which Dickens made famous in "Dombey and Son." Sometimes the wooden figure of a sailor stood outside public-houses with such signs as "The Jolly Sailor"; and a black doll was long a familiar token of the loathly shop kept by the tradesmen mysteriously known as Marine Store Dealers. Images of this kind sometimes stood at the door, or in many cases were placed on brackets or swung from the lintels.

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